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At the 1908 meeting of the American Archaeological Society in St. In the second part of the story, "The Tale of Inspector Legrasse", Angell's notes reveal that the professor had heard the word Cthulhu and seen a similar image much earlier. In New York City, "hysterical Levantines" mob police in California, a Theosophist colony dons white robes to await a "glorious fulfillment." "The Tale of Inspector Legrasse" During the same period, Angell's research reveals, there were cases of "outre mental illnesses and outbreaks of group folly or mania" around the world - from Paris and London, Africa and South America, Haiti and the Philippines, western Ireland and India. Wilcox's dreams began on March 1, 1925, culminating in a period from March 23 until April 2 when Wilcox was in a state of delirium. The sculpture turns out to be the work of Henry Anthony Wilcox, a student at the Rhode Island School of Design who based the work on his dreams of "great Cyclopean cities of Titan blocks and sky-flung monoliths, all dripping with green ooze and sinister with latent horror." These images are associated in the dreams with the words Cthulhu and R'lyeh.
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"The Horror in Clay" concerns a small bas-relief sculpture found among the papers, which the narrator describes: " my somewhat extravagant imagination yielded simultaneous pictures of an octopus, a dragon, and a human caricature A pulpy, tentacled head surmounted a grotesque and scaly body with rudimentary wings." In the text, Thurston recounts his discovery of notes left behind by his grand-uncle, George Gammell Angell, a prominent professor of Semitic languages at Brown University in Providence, Rhode Island, who died suddenly in "the winter of 1926–27" after being "jostled by a nautical-looking negro." "The Horror in Clay" "The Call of Cthulhu" is presented as a manuscript "found among the papers of the late Francis Wayland Thurston, of Boston".